Summary
Bartholomae, in his article “Must We Mean What We Say?,”
strives to explain to fellow educators that students must play with authorial
identity and tone in their writing if they are going to write anything worth
writing. Having taught freshman composition for many years, he identifies a
lack in student writing that he proposes can be solved; he wants teachers to
ask their students to reevaluate how they identify (in terms of themselves as
well as other writers) in their writing.
Synthesis
Bartholomae’s insistence on considering
other writers’ works as a tool in furthering one’s own writing is reminiscent
of Greene’s framing technique. Bartholomae’s explanation of why he gave his
students a review of a poem, “I was teaching my students how to work with
sources, how to have an idea in response to someone else’s ideas, how to get a
word in edgewise” (22) reminds me of Kantz’s essay in which she talks of how we
can help students read rhetorically to find their original argument within an
academic conversation, their niche.
Pre-reading Exercise
2) I change my writing all the time, depending on my genre
and audience. If I am composing an email to a student, I have to be helpful and
professional, and above all, succinct. If I am writing an academic paper for a
particular professor I will alter my writing style and voice to coincide with
that reader’s wishes and expectations. If I am posting something on Facebook I
try to be pithy and appeal to a large demographic of friends and peers.
Questions For Discussion and Journaling
1)
The student can get more than one persona on the page because
she is, as Bartholomae points out “double voiced” (19). She recognizes the
different identifies she needs to convey in her paper and changes her authorial
tone to suit the situation. I think by revising my work and looking at my
writing through the work of other writers (as Bartholomae suggests) I can
change my tone to fit my needs.
3) I think Bartholomae is trying
to question the construct of always “being ourselves” when we write, or,
alternatively, of writing ourselves out of the paper with pure objectivity. He
says that we indeed do not always need to “mean what we say” and encourages
playing with authorial voice in our writing.
Meta Moment
I think the advice given by Appiah is something I have
always striven to achieve in my writing. In some of my early attempts at
academic writing I could not help but insert some of my own wit alongside my
studied academic tone. Though sometimes the duality of tone is, I believe,
unsupported in some classrooms, it something I would nevertheless wish to
cultivate in my future endeavors. I like Bartholomae’s notion of using the
voices of other writers to revise one’s own writing. It is a tool I would like
to utilize in future projects.
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