Quotes
1)
“Research writing textbooks, despite their earnest good
intentions, tend to reinforce unoriginal writing by providing students not only
with maps through the conventional rules of academic research, but also a
standardized concept of how academic research writing should look and sound;
textbooks typically provide sample papers, and stock evidence on the “rules” of
logical argumentation, linear organization, acceptable evidence, and the proper
way to cite sources” (417-18).
2)
“We would like to believe that research writing teaches
valuable skills and encourages students to commit to the academic ideals of
inquiry and evidentiary reasoning. However, it may be as often the case that
the research paper assignment teaches students little more than the act of
producing, as effortlessly as possible, a drab discourse, vacant of originality
or commitment” (419).
3)
“…teaching the research paper as the sole example of research
writing will fail to prepare students for a myriad of other research based
writings…” (420).
4)
“Research writing, we are told, should teach students about
how data is generated and expertise gained. It should also allow them to
cultivate their intellectual curiosity and expand their knowledge. The issue
becomes method and form—how to do research and how to write it in ways that
will allow students to embrace academic ideals and escape the cynicism of
Posusta” (420-21).
5)
“The ideal of alternative research writing is exploration
freed from its historical weight of conquest and enslavement” (422).
6)
“Alternative research writing inscribes an inclusive
cross-disciplinary academy, which mixes the personal and the public and values
the imagination as much as the intellect” (422).
7)
“…still, we want them to have, and heed, an itch” (423).
8)
“The research paper came to be chiefly a vehicle for
training—not in the creation of knowledge, but in the recording of existing
knowledge” (424).
9)
“In teaching multi-writing in our discourse theory course, we
first open students up to a sense of either a multi-dimensional self or
multiple selves, in order to create in a postmodern world” (434).
10)
“She was
intellectually exploring a question that she was also urgently living” (437).
11)
“We return to them
again and again, trying to understand them in full, but also finding pleasure
in knowing that we will not, that they will remain fertile mysteries” (439).
12) “A collective appreciation of
mystery can also be a basis for revising the academy, making it truly a place
of free inquiry, where the unknown is approached from many directions, using a
variety of ways of thinking, writing, and making” (441).
Responses
1)
Davis and Shadle set up their problem with conventional
“modern” research papers and how they are taught. Their views are reminiscent
of Kleine’s description of students in the “night library”. Furthermore, the
textbook Davis and Shadle differs greatly from Writing About Writing,
which overtly states that it will not tell students how to write a research
paper; it gives no checklist or set of rules.
4)
So the ideas and goals behind research writing are still very
much valid, the authors contend, but the way teachers teach students to go
about writing said research paper does not achieve those goals. Davis and
Shadle want to show how students can go about writing a research paper that
will allow them to engage in the academic discussion teachers are eager for
them to be a part of. True academic discussion and discovery doesn’t come from
a checklist, but rather from honest questioning.
5)
The purpose of research is to discover new knowledge, not to
be bogged down by the rehashing of old knowledge.
6)
What Davis and Shadle are proposing shakes everything up, the
personal and the public, the value of creativity, even the promotion of
interdisciplinary study. Because they include so many facets, Davis and Shadle
are allowing students to truly explore the “mystery” of their research
questions.
7)
We want students to want to research.
8)
Another way of saying that students simply follow a pattern of
research writing that isn’t conducive to producing new knowledge
9)
Students have to acknowledge that different genres require
different styles of writing. Davis and Shadle take his a step further and say
that to write in these different genres requires a student to formulate
different selves.
10)
Students need to have an immediate connection to a research
project if they are going to continue to research of their own accord to broaden
their own knowledge—the stakes have to be higher than a paper grade in an
English class.
11)
In the multi-modal projects, Davis and Shadle revel in the
fact that they cannot wholly comprehend their students’ projects; they enjoy
the fact that students have succeeded in not writing a standard modern research
paper.
12) Davis and Shadle want the joys of the mysterious to spread to all of academia, only then will truly serious academic inquiry occur.
No comments:
Post a Comment