Summary
Stephen
Bernhardt, in his article “Seeing the Text,” makes the case that visually
informative texts should be considered within the classroom as legitimate forms
of written communication. He extols to his fellow teachers and scholars the
capabilities of visually informative texts to achieve the same rhetorical goals
that traditional essays do. Furthermore, Bernhardt contends that a visual text
is more versatile than the traditional essay because of its localization of text;
different readers can easily eke out from the text as simple or as complex a
reading as they would like. Bernhardt says that visually informative texts must
be studied and taught in the classroom to correlate with the advances in
technological media.
Synthesis
Bernhardt’s
essay questions the construct of the traditional progressively organized essay,
in which the argument pushes the reader down the page. His questioning of the
traditional essay form and support of visual texts cannot help but remind me of
Scott McCloud, who so memorably draws our attention to the power of the visual
with his comic.
Pre-reading Exercise
2) In a text heavy advertisement for an audiobook, I notice
the use of different texts and font sizes. The larger fonts emphasize the
author’s name. To advertise the title of the book, they have contrasted white
lettering against a dark, rectangle shaped background. As such, my eyes are
most drawn to those two elements. There is an image of a character from the
book, but it only serves to fill the blank space beside some smaller print of
other available audiobooks.
Questions for Discussion and Journaling
1) I sometimes have trouble reading this low-visual type of
writing, especially when the subject material is unfamiliar. One think I like
about visually informative texts is the fact that you can take a very simple
reading from it if you like; it can serve to just give you the basics. Just
finding the basics can be harder in a text which is not as visual, because you
might have to sift through some unfamiliar terminology and ideas in order to
find them.
Applying and Exploring Ideas
3) Bernhardt uses the term ‘gestalt’ to refer to the visual
impression of the text as a whole. Knowing the definition of the term helps the
reader understand the aesthetics of the whole page are important in the
readability of the piece. Knowing what the term ‘gestalt’ means also helps
explain why Bernhardt then spends the next several paragraphs talking about the
physical looks and layout of the page.
After You Read
Scott
McCloud would have represented Bernhardt’s argument in the mode he is arguing
for. That is, he would make the text visually informative rather than
progressively so. Bernhardt seems a little counter-intuitive in his
organization of the piece. If he is going to argue for the legitimate study and
teaching of visually informative texts, then he should probably lead by
example.
Yes yes and yes. It would have been hard to publish a visually informed version but that is too bad. it shows what the discourse community of the time expected, how it constrained writers and how B's seemingly conservative article was not so in 1986. Of course, now it would be easier to publish but would be online and likely deal with online documents in a similar way. Of course there would be other issues-such as links, navigation etc.
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